When my best
friend Joe died, I was an angry young man. We got drunk, we got stoned, we
attended the Funeral . . . and then life just went on. The world kept turning
and there was no such thing as counselling or grief recovery in the early
1990s.
It was
nobody’s fault. Everyone around me was trying to cope with their grief in their
own way and my little sister, Cliona, had passed away less than a year earlier.
People shrugged and told me to get on with things.
As a young
Irishman, I didn’t know how to talk about feelings . . . not without alcohol on
board at any rate.
Sinead O'Connor: one of the best Irish singers of all time |
Of course,
there was no Internet in those days. I didn’t rant on Facebook after returning
home from the pub at 4am or put up photos on Instagram of my friends and I drinking
ourselves into oblivion, which was the norm for most of my friends at the time.
We didn’t
think there was anything unusual about our hard drinking, we were just wild,
out for the craic, living all the Irish clichés. It probably took years for me
to realise that there was a lot of pain hidden behind that heavy drinking.
For me, one
of the constants at the time was the music of Sinead O’Connor. I came home from
a summer in London to become enraptured by this gorgeous, provocative
diminutive singer who seemed to speak out for my generation in a way nobody
else dared to.
I was 20 and
I hated Ireland. I wanted to be back in London, going to punk and metal gigs,
following my beloved Liverpool FC around. I wanted the freedom of meeting women
from Italy or Spain or England, who were far more liberated than I was.
Back home, I
wondered how somebody from my generation could be so daring, so sexy, so sure
of her own voice in late 1980s Ireland.
When she
sang ‘I Want Your Hands On Me’, Sinead was sexy in a way which seemed almost
impossible for a young Irish person at the time. In those days we wore woolly
jumpers as though we were ashamed of our own bodies.
In a country
in which there was no contraception, no divorce, no abortion, this young woman
from Dublin sang with a raw honesty which was simply incredible. Hell, there
were still women living in Magdalene Laundries at the time.
Women who
had committed the ‘crime’ of getting pregnant in Catholic Ireland were locked
up barely a ten minute walk from my newspaper office, the sex abuse cases which
rocked the Church had not yet been exposed, and hardly anybody questioned what
was going on.
When Sinead
(she’s so familiar, we call her by her first name) combined with the brilliant
Benjamin Zephaniah to sing a song about the crimes committed by the British
Empire, I was immensely proud.
When she
reached number one with ‘Nothing Compares To You’, it felt as though there were
boundless possibilities for a young Irish person who spoke out or sang the
truth. I wasn’t mad into pop songs, but there was such passion in her voice.
I grew up on
metal and punk, outlets for my rage in a very repressive Catholic Ireland, and
here was an amazing young woman from Dublin who was willing to take on the
world.
When she
tore up a photo of the Pope, I thought she was a little misguided but I was
also immensely proud. Nobody, yes nobody, was that brave in Ireland at the
time.
Sinead
O’Connor's music has been a constant in my life for more than half my life. I don’t
claim to know her, although I did meet her once in Galway during the height of
a summer Arts Festival. I was struck by how unassuming and shy she was that
night, for someone who was a hero for so many of my generation on the Emerald
Isle.
I thought
about Sinead again this week, when a friend of mine alerted me to a troubling
post on her Facebook page.
It was
deeply personal and should never have appeared on a public social media site in the
first place.
It shocked
me when I did a Google search to find that quite a number of media outlets had
shared the post in full, as though this very public meltdown by a ‘celebrity’ – or cry for help – deserved to become a form
of entertainment.
No doubt the
post, and the subsequent media reports, must have caused anguish to her close
friends and family members as Sinead was clearly not in a good place when she
wrote it.
I didn’t
read it in detail and I most certainly didn’t want to read the comments
underneath, but what shocked me was the fact that more than 1,000 people had
taken the ‘trouble’ to ‘share’ it with their friends.
This was
just two days after she had been reported missing by friends where she was
staying, near Chicago. Thankfully, she was found safe and well.
Social media
has transformed our lives in many ways, but have we become so dehumanised that
we see entertainment value or ‘news’ in someone else’s anguish?
She might be
a famous singer, but she is also a human being, facing the kind of troubles,
challenges, and life-changing events we all have to face every day.
If she was
clearly not in a good place on Tuesday night, where was the value in reading
her deeply personal rant, aimed at some of the people closest to her, or
sharing it on social media?
Or, worse,
making jokes on Twitter about the whole sorry affair?
When Sinead
went missing two days earlier, The Daily Telegraph felt that the ‘event’
merited a ‘live blog'.
It was
clearly of no concern to the online editors that this in-depth coverage of such
a vulnerable woman in distress might be deeply hurtful to Sinead and her family
and friends.
Getting
clicks on their website was clearly of far more importance than the well-being
of a woman who was going through a tough time.
In 2016, a
public figure’s meltdown can become a form of entertainment which would have
been unthinkable back when my friend Joe died back in 1990.
Life was
hard enough for me and my friends back then, without people making jokes on
Facebook or posting insensitive remarks.
So … have we
really moved on?
Ireland is
going through a mental health crisis and the turn-out at this month’s Darkness
Into Light walks (an estimated 120,000 across the country) showed that
thousands upon thousands of people felt that the State is not doing a good
enough job in this area.
Organisations
like Pieta House and Console exist because our State health service is not
addressing the crisis in mental health.
When I was
in A&E with the MRSA ‘superbug’ last year, a young man who clearly had
mental health problems was left languishing in a hospital corridor for hours.
He should
have been in a state-of-the-art unit, not mixing with elderly people and
accident victims lying on trolleys in an overcrowded corridor.
I wonder
sometimes if the support available to a 20-year old whose best friend dies in
2016 is any better than it was in Ireland a quarter of a century ago.
I treasure
Sinead as one of the most gifted songwriters of my, or any, generation. I
firmly believe that people will still listen to the music of Sinead and Shane
MacGowan long after most of today’s artists are forgotten.
But her
personal demons are none of my business. I’m not going to ‘share’ them on
Facebook as some form of titillation for my friends. I’m certainly not going to
make hurtful jokes about a troubled soul on Twitter.
Sinead back in 1990 when she reached number one. |
I only hope
she gets the help she needs.
That’s all
that matters right now for Sinead, her family, and her friends.
This week’s
reaction on social media made me wonder whether we really have progressed from
the witch trials and public hangings of the Middle Ages.
For all our
technology, have we become so dehumanised that a public figure’s tragic meltdown
is worthy of a click on a keyboard, or a Facebook share, on social media?
Do people
even stop to think about the damage they cause when they post vicious or
mocking posts about someone who is clearly going through a tough time?
It doesn’t
seem that way. People post words on social media which they would never dare to
utter to a person’s face.
We might be
“connected” to each other 24/7 through our laptops, tablets, and smart phones,
but in many ways we’ve become “disconnected” from our fellow human beings … We
sit behind keyboards, poking fun at people who only need our help and good
wishes as they struggle to make the most of this crazy, complicated life.
And, what’s
worse, many of us don’t even think we are doing anything wrong.
A wonderful, thought-provoking piece Ciaran. My heart goes out to Sinead and I really hope she gets the help she so badly needs. She is so talented and such a tortured soul. I feel for her children who must be so hurt and traumatised by all of this and too young to realise that she is acting not out of malice, but pain. Nobody in their right mind would share such sensitive, personal information on social media, but she is obviously not in her right mind and is desperately in need of professional help. Social media is great in some ways, but it's biggest negative is that it gives bigotted, ignorant and cruel people the opportunity to spew their venom out to the world.
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